Download PDF by Amy Lusebrink: 159 Celtic Designs

By Amy Lusebrink

ISBN-10: 0486276880

ISBN-13: 9780486276885

Over a hundred and fifty motifs reflecting the crowd pleasing intricacies of Celtic layout, perfect to be used in images layouts, needlework designs, and different paintings and craft initiatives. usually incorporating sinuous interlacements of animal, floral, and summary motifs, the designs were essentially and boldly attracted to give you the clearest attainable picture for copy.

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The cut-out shapes from the old garment formed the seams for the new dress. Craft versus digital – does modern technology help or hinder? Technology is the great facilitator – and craft is the manner in which anything is created, the skill to make. I write electronic music which is totally digital, so I am the craft element in that. I love machines and interacting with them, seeing what comes out of the relationship. Don’t we all talk to our computers now? What is the most inspiring piece of knitwear you have seen?

This woollen body shroud both hides and reveals the body. 62 FUTURE CLASSICS© FUTURE CLASSICS© 63 Gaia Brandt Gaia Brandt grew up in the countryside in Denmark. Her father built the wooden house where they lived, with a view of a beautiful lake. The family did not have a television, and Brandt and her three siblings spent many hours playing with sticks and stones from the garden. It was a very open-minded, free-spirited environment, with great possibilities to explore and be creative.

Although Amoroso’s work is often described as ‘knitwear’, it is actually macramé. Knitting, macramé and crochet tend to be grouped together as they have the same technique in common: they are constructed from a continuous strand of yarn. However, macramé, unlike knitwear, is made up of knots and is knotted entirely by hand. Amoroso admits that, surprisingly, she cannot actually knit and has never studied knitwear. She is inspired by the different textures and silhouettes that can be created with knitwear but is much more interested in surface texture than the technical side of design.

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159 Celtic Designs by Amy Lusebrink

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