By Denis Meikle
No corporation within the historical past of cinema did extra to legitimize the horror movie than Hammer Films_the small British self reliant, which operated out of its tiny Bray Studios at the banks of the River Thames. From the Gothic beauty of The Curse of Frankenstein and Dracula to the violent sexploitation of The Vampire fanatics and Dr. Jekyll and Sister Hyde, the Hammer identify stood for something to a new release of flicks lovers because the time period 'Hammer Horror' turned part of the language. This revised and up-to-date version of A background of Horrors lines the existence and 'spirit' of Hammer, from its fledgling days within the past due Forties via its successes of the Nineteen Fifties and '60s to its decline and eventual liquidation within the overdue Nineteen Seventies. With the unique participation of the entire group of workers who have been key to Hammer's good fortune, Denis Meikle paints a brilliant and engaging photograph of the increase and fall of a movie empire, supplying new and revealing insights into 'the fact at the back of the legend.' a lot has been written approximately Hammer's motion pictures, yet this can be the single booklet to inform the tale of the corporate itself from the point of view of these who ran it in its heyday and who helped to show it right into a common byword for terror at the reveal. This definitive background additionally contains forged and credit listings for the 'Hammer Horrors' and a whole filmography of all of Hammer's function productions.
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Extra info for A History of Horrors: The Rise and Fall of the House of Hammer
Blast waves follow the path of least resistance so even in the case of small camouflets, it was essential to ‘tamp’ any mine charge – blocking the route you took to plant the explosive. Otherwise your own galleries would feel the force. The rule of thumb for tamping was one and a half times the distance between the mine and its objective; that way you could guarantee that it would direct itself in the direction intended. Sandbags were the best means of achieving this and tamping was another reason to make tunnels small.
The former warranted a parallel ‘auxiliary’ offensive gallery owing to threat of collapse from ‘heavy ground’ – clay that expanded faster than normal. Problems were compounded by the commensurate increase in spoil: at Maedelstede a covered tramway was constructed on the surface to deal with the volume being extracted. Each night it was spread out and camouflaged in rear areas. Pioniere remained suspicious enough to blow camouflets but in recognition of Teutonic routine, the threat to life was mitigated by withdrawing tunnellers between 1300 and 1700hrs – the only time Germans blew in this sector.
In 1914, Britain’s Royal Flying Corps deployed to France with 50 small observation planes. By summer 1917, the force had exceeded 1,000 and included the whole panoply of capabilities one would expect of a modern air force, even dedicated ‘multirole’ aircraft. Strategic bombing and the establishment of a separate air service followed not long after. In terms of air-to-ground integration, the BEF were surprisingly advanced. Slow-moving machines lent themselves well to ‘close air support’ missions and if miniaturization had allowed for infantry to be equipped with wireless, the possibilities could have been endless.
A History of Horrors: The Rise and Fall of the House of Hammer by Denis Meikle