By Brent Phillips
From the trolley scene in Meet Me in St. Louis (1944) to Fred Astaire and Ginger Rogers's final dance at the silver monitor (The Barkleys of Broadway, 1949) to Judy Garland's undying, tuxedo-clad functionality of "Get chuffed" (Summer Stock, 1950), Charles Walters staged the long-lasting musical sequences of Hollywood's golden age. in the course of his occupation, this Academy Award–nominated director and choreographer showcased the skills of stars similar to Gene Kelly, Doris Day, Debbie Reynolds, and Frank Sinatra. notwithstanding, regardless of his many serious and advertisement triumphs, Walters's identify usually is going unrecognized today.
In the 1st full-length biography of Walters, Brent Phillips chronicles the artist's profession, from his days as a featured Broadway performer and protégé of theater legend Robert Alton to his successes at Metro-Goldwyn-Mayer. he is taking readers behind the curtain of the various studio's so much loved musicals, together with Easter Parade (1948), Lili (1953), High Society (1956), and The Unsinkable Molly Brown (1964). moreover, Phillips recounts Walters's institutions with Lucille Ball, Joan Crawford, and Gloria Swanson, examines the director's uncredited paintings on a number of motion pictures, together with the blockbuster Gigi (1958), and discusses his contributions to musical theater and American renowned culture.
This revealing publication additionally considers Walters's own existence and explores how he navigated the as an overtly homosexual guy. Drawing on unpublished oral histories, correspondence, and new interviews, this biography bargains an pleasing and significant new examine a thrilling period in Hollywood historical past.
Read or Download Charles Walters: The Director Who Made Hollywood Dance PDF
Similar theater books
This e-book considers essentially the most fascinating and leading edge advancements inside of greater schooling: the increase of the inventive arts and the becoming acceptance that inventive perform is a legitimate box of study. the amount indicates that inventive perform can result in examine insights via what's often called practice-led study, but not like different books on practice-led learn, the textual content encompasses a dialogue at the optimistic influence of research-led perform.
Rodgers and Hammerstein's Tony and Pulitzer Prize-winning musical "South Pacific" has remained a mainstay of the yank musical theater because it opened in 1949, and its robust message approximately racial intolerance keeps to resonate with twenty-first century audiences. Drawing on wide examine within the Rodgers and the Hammerstein papers, together with Hammerstein's own notes on James A.
A whole direction in coming near near a job in a musical, it combines performing, making a song and dancing right into a finished consultant. The authors supply recommendation on all parts of the occupation, together with basics of performing utilized to musical theatre, script, ranking and personality research, personalizing your functionality, turning practice session into functionality, appearing types within the musical theatre, and functional steps to a profession.
- Staging Thought: Essays on Irish Theatre, Scholarship and Practice
- Shylock in Germany: Antisemitism and the German Theatre from the Enlightenment to the Nazis
- The Art of Theater
- Improv for Actors
- The Films of Jack Nicholson
- Bernard Shaw and Totalitarianism: Longing for Utopia
Additional info for Charles Walters: The Director Who Made Hollywood Dance
Walters quickly gathered that most directors did not teach actors to act. Mercifully, he felt more at home in dance rehearsal with choreographer Albertina Rasch. Though renowned for her popular Hollywood and Broadway ballet troupe—which largely consisted of chorines en pointe— Rasch also valued technique and encouraged personality. Walters earned both her attention and her allegiance. ”11 Jubilee would be the first of four major Broadway or Hollywood musicals to connect Walters and Cole Porter.
I don’t know if he got ideas at home, at night before he came to rehearsal, or whether ideas just occurred to him. But he never seemed to hesitate. Never. He would start setting steps, and all of a sudden, something would happen, and he’d get an inspiration or maybe he’d change what he had in mind. ”11 Beyond his creativity and speed, Alton had the ability to inspire confidence. It was another lesson learned: to be a good choreographer, Walters observed, one must first be a good teacher. ” The otherwise modest Hoagy Carmichael and Stanley Adams tune was presented in English music hall fashion (a Minnelli conception), with Walters and Mayfair sporting gray wigs.
After patiently listening to Jack Buchanan’s marital woes for ninety-three performances, he took his final bow in Between the Devil on March 12, 1938. 1 I Married an Angel marked the third time (and third consecutive spring) that producer Dwight Deere Wiman joined forces with songwriters Richard Rodgers and Lorenz Hart and choreographer George Balanchine. Their previous On Your Toes (1936) and Babes in Arms (1937) had won unanimous audience approval, and their latest venture was set for May 1938.
Charles Walters: The Director Who Made Hollywood Dance by Brent Phillips