By Bob Black
Invoice Monroe is so foundational to bluegrass tune that the whole style took its identify from his band, the Blue Grass Boys. In Come Hither to head Yonder, Bob Black recounts his years spent as a member of that seminal band. whereas different paintings on invoice Monroe has been written from a old standpoint, Come Hither to move Yonder is instructed from the viewpoint of a musician who was once really there. jam-packed with observations made up of the original vantage aspect of a guy who has traveled and played largely with the grasp, this e-book is Bob Black's own memoir concerning the profound impact that Monroe exerted at the musicians who've carried at the bluegrass culture within the wake of his 1996 dying. This quantity additionally incorporates a entire directory of Bob Black's appearances with Monroe, his so much memorable studies whereas they labored jointly, short descriptions of the extra vital musicians and bands pointed out, and proposals for additional interpreting and listening. delivering an extraordinary point of view at the inventive forces that drove one in every of America's maximum composers and musical innovators, Come Hither to move Yonder will deeply present any lovers of invoice Monroe, of bluegrass, or of yankee vernacular tune. Bob Black performed banjo as one among invoice Monroe's Blue Grass Boys. He recorded with Monroe at the Weary visitor album, and later performed with greenback White and the Down domestic fogeys. He seems on a couple of mess around albums by way of Kenny Baker, and has played with Ricky Skaggs, Ralph Stanley, Rhonda Vincent, Marty Stuart, Frank Wakefield, John Hartford, the Whites, and different artists. He at the moment lives close to Iowa urban, the place he plays in ideal Strangers, the Banjoy Band, and different teams. He has released articles in Bluegrass limitless and in 2002 got the Iowa Arts Council's conventional Arts Award. Neil Rosenberg reports modern vernacular song traditions, together with the track and lives of bluegrass, kingdom and people musicians in Canada and the us. he's the writer of Bluegrass: A background. A quantity within the sequence tune in American existence
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Additional resources for Come Hither to Go Yonder: Playing Bluegrass with Bill Monroe
Bill had seemed to me quite intimidating with his formal bearing and business-like attitude, and I had been looking anxiously for something to soften that impression. The creation of the song “Tombstone Junction” opened my eyes. When Bill crafted that tune and played it with us, I saw his true personality. He wasn’t strictly business after all. He loved making music. Everything else he did was simply a means to that end. My faith in Bill and in his music remained ﬁrm. ” I had never asked Bill how much he paid his sidemen—I was so excited about just getting the job that I hadn’t even thought about the salary.
The ﬁrst banjo player ever to be a member of the Blue Grass Boys, Stringbean often kept thousands of dollars in the pockets of his overalls, showing it to many people. In 1973 he and his wife were both killed by burglars in their home. Many people, including Bill, believed Stringbean’s death was the result of his lack of discretion in ﬂashing large sums of money around in public. Bill’s actions didn’t seem to agree with his words, however. I often observed him showing off large denomination bills in public.
After interviewing Everly for the Shenandoah Evening Sentinel, Robert Black Sr. invited the singer to his family home, where he took this photo. Ruth Black remembers Phil Everly as being very polite. ” Photo by Robert Black Sr. ) 18 | come hither to go yonder I also took violin lessons at Greenwood. ) My violin teacher was a kindly old man named Mr. Shaw. He had white hair and a little white moustache with pointed ends. He played for the Des Moines Symphony Orchestra. I was impressed by the beautiful tone he got from his violin with his bow.
Come Hither to Go Yonder: Playing Bluegrass with Bill Monroe by Bob Black