Concerto for the Left Hand: Disability and the Defamiliar by Michael Davidson PDF

By Michael Davidson

ISBN-10: 0472050338

ISBN-13: 9780472050338

ISBN-10: 0472070339

ISBN-13: 9780472070336

"Professor Davidson---an finished literary critic---offers a targeted and balanced research of poetry, movie, and the humanities honed together with his first-class wisdom of the most recent advances in incapacity experiences. he's excellent at studying texts in a cosmopolitan and aesthetically pleasing means, making Concerto for the Left Hand one of many smartest books to this point in incapacity studies."
---Lennard Davis, college of Illinois, Chicago

"Moving elegantly between social theorists and cultural texts, Davidson exemplifies and propels an ethical-aesthetic version for feedback. Davidson asks constantly and with a devoted depth 'where a incapacity ends and the social order starts' . . .  this e-book brings the examine of poetry and poetics into the twenty-first century."
---Rachel Blau DuPlessis, Temple University

Concerto for the Left Hand is on the leading edge of the increasing box of incapacity stories, supplying a variety of essays that examine the influence of incapacity throughout a variety of paintings forms---including literature, functionality, images, and picture. instead of easily targeting the ways that disabled people are portrayed, Michael Davidson explores how the event of incapacity shapes the paintings of artists and why incapacity serves as a necessary lens wherein to interpret sleek tradition. protecting an eclectic diversity of topics---from the phantom lacking limb in movie noir to the poetry of yank signal Language---this assortment supplies a distinct and fascinating evaluation of the interaction among incapacity and aesthetics.

Written in a fluid, obtainable kind, Concerto for the Left Hand will entice either experts and normal audiences. With its interdisciplinary technique, this ebook may still attraction not just to students of incapacity reports yet to all these operating in minority artwork, deaf reviews, visible tradition, and modernism.

Michael Davidson is Professor of yankee Literature on the college of California, San Diego. His different books comprise Guys Like Us: mentioning Masculinity in chilly conflict Poetics and Ghostlier Demarcations: sleek Poetry and the cloth World.

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Additional info for Concerto for the Left Hand: Disability and the Defamiliar Body (Corporealities: Discourses of Disability)

Example text

Doctors and Florida cir­ cuit judge George Greer (the primary judge in her case), for the most part, described her as "brain dead;' living in a "persistent vegetative state;' and recommended the removal of life-prolonging feeding tubes. " In order to assign blame for the 1990 incident that caused Schiavo's car­ diac arrest, critics began to look at her early life as well as at her husband's actions in the intervening years. 1 million that he received in 1992. The fact that he had taken up with another woman with whom he had fathered two children was ad­ duced as evidence of his weak moral character.

Berube feels that his decision not to have prenatal testing in no way contradicts his and his wife's pro-choice beliefs but is, in fact, an extension of them insofar as both are based on a woman's right to control what hap­ pens to her body (46 ) .

In her faux documentary voice, she avers that if she were an "authentically deaf person" she would sign her remarks, but fortunately she has a stand-in-or "hand in"-in the form of her interpreter Stevie, who stands behind her and signs across her chest. This irreverent coda has, at its heart, a serious subtext: the claim for an authentic Deaf identity marked by exclusive use of manual signing. Galloway's controversial critique of official Deaf culture focuses on the ex­ clusions of cultural nationalism by acknowledging her awkward relation to both hearing and deaf worlds.

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Concerto for the Left Hand: Disability and the Defamiliar Body (Corporealities: Discourses of Disability) by Michael Davidson

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