By John Guillory
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Additional resources for Genesis of the Media Concept
At a higher level of abstraction, culture as a mediation of the economic and political domains of society engages the same investment in distanciation. To conclude this line of analysis and this essay, I will comment briefly on an exchange between Adorno and Benjamin on the subject of the latter’s study of Charles Baudelaire, part of which was submitted to the Zeitschrift fu¨r Sozialforschung in 1938. Adorno initially rejected Benjamin’s submission, for reasons entirely instructive with respect to the relation between mediation and representation.
It was republished as Claude E. , 1963). Most of our current notions about the mechanics of communication can be found in Shannon’s work, including the analysis of the channel. For an important comment on the relation between Shannon and Jakobson, see Lydia H. Liu, “iSpace: Printed English after Joyce, Shannon, and Derrida,” Critical Inquiry 32 (Spring 2006): 517. Liu also reminds us of Shannon’s use of Printed English as the basis for his mathematical analysis of the concepts such as redundancy in communication.
It is of some symptomatic significance, for example, that the name of the flagship journal of New Historicism is Representations. The journal catapulted the concept of representation back to the top of the theoretical lexicon by advancing a more sophisticated analysis of representation than was formerly adduced from studies of the realist novel. Notwithstanding this advance, there remains a perceptible yearning in the cultural disciplines today for a simpler mode of interpretation that would allow the social to be read off directly from persons, places, objects, or events in texts.
Genesis of the Media Concept by John Guillory