By Michael Payne
Eric Coates (1886-1957) may be the main ordinary identify linked to British gentle track. Sir Charles Groves stated that 'his track crackled with enthusiasm and power. He might write tunes and dress them within the most fascinating musical colours'. Coates gained a scholarship to the Royal Academy of tune, and from 1912 to 1919 he used to be important viola of the Queen's corridor Orchestra below Sir Henry wooden. He additionally performed lower than such conductors as Elgar, Delius, Richard Strauss, Debussy, and Beecham. It used to be, besides the fact that, as a composer of orchestral song that he came upon his maximum luck. starting with the Miniature Suite, written for the 1911 prom live shows, he solid an enviable acceptance as a composer. by way of the Twenties and Nineteen Thirties, he was once some of the most renowned and highest-paid British composers, with a string of well known works flowing from his pen. Coates' song has develop into indelibly entwined with such renowned radio programmes because the BBC's "In city Tonight", which used to be brought through the 'Knightsbridge' March and "Desert Island Discs" whose signature track for the previous 40 years has been "By the Sleepy Lagoon". probably his so much memorable paintings was once his march for the "Dam Busters" movie. Michael Payne strains the altering fortunes of the occupation of the fellow who composed a few of Britain's best-known track. in lots of methods, Coates' tale is the tale of British mild tune, and Payne's learn deals a desirable perception into the heyday and decline of the British gentle song culture.
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Additional resources for The Life and Music of Eric Coates
1). It was love at first sight and Coates was besotted. Not one to be easily deterred, Coates went off in pursuit of Phyllis (always known as ‘Phyl’) the following week with the offer of writing several recitations for speaker and piano. The first was, not surprisingly, a setting of The Mermaid. 1 Miss Phyllis Black, circa 1922. Phyl wrote on the back of this photograph: ‘This doleful looking creature is me – when on the stage in the early 20’s’ 15 During this period, Coates wrote six recitations that the two of them performed at various concerts in London.
14 The year following his entry into the QHO, Coates’ life was to change immeasurably as a result of his infatuation with a female student at the RAM. Judging by the number of pieces written in his youth that were dedicated to ladies, It is often difficult to pin down exactly who was playing in which concert for two major reasons: first, members of the orchestra were not usually listed on the programmes and, second, the ‘deputy system’ was rife in London orchestras. 9 Henry Wood, My Life of Music (London, 1938), p.
20 Geoffrey Self, In Town Tonight (London, 1986), p. 26. It seems odd that Coates wrote his first religious piece during this period; when he was living in Hucknall, he may 34 The Life and Music of Eric Coates eventually allowed the pair to become engaged in 1912, when Phyl was 18 and Coates was 26. Relations became strained again at the beginning of 1913 when Phyl’s parents took her to their gîte in France to escape the attentions of Coates. 22 Phyl’s parents capitulated and the pair were given permission to be married.
The Life and Music of Eric Coates by Michael Payne